Books are central to my practice. They function as primary artworks and as archival forms through which research, testimony, and memory are materially held. Produced as limited editions, my artist books are conceived not as documentation but as autonomous works—often initiating, containing, or extending installations, performances, and films.
Working across photography, poetry, archival materials, and book-arts processes, I approach the book as a site of encounter: intimate, durational, and resistant to spectacle. Materials—paper, type, binding structures, chemical processes, and historical source texts—are integral to meaning, carrying both historical weight and ethical responsibility.
My books are held in public and private collections internationally and are regularly presented within exhibitions, libraries, and book fairs. Several have received international awards and recognition for their contribution to contemporary book arts and memory-based practice.
